Lucas Blalock’s work engages the ways that falseness or evident mechanics in photographs can bring both the picture and the pictured into sharper focus. He pursues this through a variety of overlapping strategies (often involving Photoshop) that in some way alienate the “natural” view generally associated with photographic pictures. Blalock’s work employs this expanded notion of the photograph to consider a world that is ever more inhabited by the plasticities of the virtual.
Blalock is producing a new photographic work for public display in Athens to be unveiled on the 9th of June.
Blalock’s pictures have been included in recent exhibitions at the Museum of Modern Art, the the Walker Art Center, the Hammer Museum, the Albright-Knox Art Gallery, and the Metropolitan Museum of Art. He has made a number of artist books including Towards a Warm Math (Hassla, 2011), Windows Mirrors Tabletops (Morel, 2013), Inside the White Cub (Peradam, 2014) and SPBH Subscription Series Vol. IIV (Self Publish Be Happy, 2014). Blalock is also active as a writer and has published in a number of artist’s books and periodicals including Aperture, Foam, Mousse, and Objectiv. Blalock was born in 1978 in Asheville, North Carolina and currently lives in Brooklyn, NY.
#9 Sergeant Puck
Inkjet Print, 2019
187.96 × 135.89 cm
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